Your Marketing Looks Like It Came From Five Different Companies

Realistically, a single well defined piece such as a brochure or a deck runs from about INR 15,000 to 35,000 with an experienced designer, roughly USD 180 to 420. A connected set of material with templates and a usage sheet is typically INR 45,000 to 1,10,000. Ongoing work is usually a monthly retainer from around INR 35,000. Below about INR 8,000 for a multi-page document you are generally buying a template fill, which can be the right call for a one-off internal document and the wrong one for anything a customer sees. Our full pricing is published on this page.

A freelancer is usually cheaper per piece and excellent when the brief is clear and self contained. An agency costs more on a single job but carries the parts a freelancer often does not: the system that keeps several pieces consistent, print production responsibility, and continuity when one person is unavailable. If you need one brochure and you know what it must say, hire a good freelancer. If six pieces have to agree with each other, or the print run is expensive enough that a mistake hurts, the agency cost starts paying for itself.

A single deliverable is normally one to two weeks from a complete brief. A connected set with templates runs four to six weeks. The schedule is set less by design time than by two things you control: how ready your content is, and how quickly feedback comes back consolidated. Projects that slip almost always slip on copy that is still being written or feedback arriving in fragments from several people over two weeks.

Press-ready artwork with correct bleed, colour mode and resolution, screen versions for email and web, editable templates where the content changes regularly, and the editable source files, organised and named. You also get a short usage sheet with your colour codes, type sizes and logo spacing. We confirm the exact file list in the quote so there is nothing to argue about at handover.

Yes. A monthly graphic design retainer in India suits businesses with a steady flow of smaller jobs, where the overhead of quoting and starting a new project each time costs more than the design. It covers an agreed monthly capacity, priority turnaround, template maintenance and campaign assets, with a quarterly review of what is actually in circulation. It runs month to month with one month notice, because a retainer you cannot leave is a trap rather than a service.

Yes, and it usually makes the work faster. Send the guidelines, the logo files and the fonts you are licensed to use. If the guidelines have gaps, which most do once you get past logo and colour, we will flag them and propose the missing rules rather than quietly inventing our own and leaving you with a second standard.

Then we work from what is actually in use and the audit becomes more useful, because the first job is deciding which of the existing versions is the real one. For a design project we document the minimum needed to keep the work consistent: logo, two fonts, a colour set and spacing rules. If you need the full strategic version, that is corporate branding rather than graphic design, and it is a different engagement.

Both, and the overlap is where most problems appear. Print needs bleed, CMYK or spot colour, correct resolution and an understanding of how the press and stock will shift the result. Screen needs different contrast, type sizes and file weights. We produce both from one system so the brochure and the landing page look related, and we check artwork against the printer specification before release.

Two rounds on a single deliverable, and two defined review points on a larger project. That is deliberate rather than stingy: unlimited revisions sound generous but tend to produce drifting work and a design decided by exhaustion. We structure feedback as consolidated rounds instead. If scope genuinely changes mid project, we re-quote the addition rather than absorbing it quietly and rushing the rest.

Often yes, and it is usually cheaper. If the content is sound and the structure works, a redesign in a current visual system is a fraction of a new document. If the problem is that the brochure tries to say nine things at once, restructuring is the actual work and the visual refresh is the easy part. We will tell you which situation you are in after looking at it, not before.

Yes, the editable originals are handed over as part of every project. Fonts are a separate matter: commercial typefaces are licensed to a user, not transferred with a file, so we tell you in writing which fonts were used and what licence you need to edit the files yourself. Where that would be awkward, we can build with openly licensed fonts instead.

You do, for the work produced and paid for under the project, and we confirm that in writing at handover. We keep the right to show the work in our portfolio unless you ask us not to, which clients under confidentiality regularly do and we accept without argument. Stock photography and licensed fonts remain under their own licences, which we document so you know exactly what you hold.

For some jobs, honestly, yes. A quick internal slide, a social post from a template, a first draft of an image: generative tools and template platforms do this competently and cheaply, and you should use them. They remain weak where it matters commercially: decisions about hierarchy and what to cut, multi-page documents that stay coherent across forty pages, print production, and consistency across a whole set of material. We use AI tools in parts of our own process. We do not pretend they remove the judgement, and we do not charge you for work a template would have done.

Yes. We are a graphic design company in West Delhi, based in Vikaspuri, and we meet clients across Delhi NCR in person when it helps. If you would rather brief a graphic designer in New Delhi face to face than over email, that is available and costs nothing extra. Everything else runs remotely, which is how most of our work with clients elsewhere in India, the UAE, UK, USA, Australia, Singapore and Canada is delivered. Print projects overseas are produced to your local printer specification, since the press and stock decide the final result.

Three things you currently give customers, your logo files and guidelines if they exist, and one sentence on what the new material has to achieve. If your copy is not written yet, say so at the start: we can structure around draft content, but a project waiting on text while design sits finished is the most common reason a schedule slips.